Jerry Granelli
Dance Hall




Carrie Rodriguez
Lola

Bill Frisell
When You WIsh Upon A Star

 



Updated 11-21-17
 

Current Projects:

Lee is currently working on the following projects:

Lee Townsend in production on two new projects with long-time collaborators Rinde Eckert and Jerry Granelli:

Rinde Eckert - After an extended country-wide solo tour, singer, composer and multi-instrumentalist Rinde entered Fantasy Studios with Lee to record a solo project with Rinde singing and playing all the instruments, including, electric and acoustic guitars, piano, organ, electronic keyboard and samples, banjo ukulele, resonator ukulele, wood flute and percussion. The material is predominantly original Eckert compositions in addition to a new arrangement of the traditional folk song “Black is the Color of My True Love’s Hair” with new lyrics and a piece by J.S. Bach. Mixing commences in February. A 2017 release planned.

 

Jerry Granelli - Dance Hall

Drummer Granelli and a stellar band of Robben Ford and Bill Frisell (guitars) and J. Anthony Granelli (bass) recorded with Lee and engineer Sheldon Zaharko at The Armoury in Vancouver, British Columbia. The music is R&B flavored jazz - several pieces include a horn section with arrangements by Steven Bernstein. Songs include “The Great Pretender”, Dylan’s “Meet Me in the Morning”, Louis Jordan’s “Caledonia”, Fats Domino’s "Ain’t That a Shame”, Mingus’ "Boogie Stop Shuffle”, “This Bitter Earth” and “Never Gonna Break My Faith”. Mixing begins in January for a 2017 release.

 

Carrie Rodriguez - Lola Carrie Rodriguez, a singer-songwriter from Austin, Texas, finds beauty in the cross-pollination of diverse traditions. A passionate performer, she effortlessly melds fiery fiddle playing, electrifying vocals and a fresh interpretation of new and classic songs with an “Ameri-Chicana” attitude. Her newest project, the upcoming Spanish/English album “Lola,” is both a return to her musical roots and something of a departure where she delivers her own twangy, Texas-bred twist on Mexican Ranchera songs, creating culturally blended music for a culturally blended world. Inspired by the 1940’s-era recordings of Carrie’s great aunt, Chicana singing sensation Eva Garza, the album is a mixture of new and old songs. It features Spanish songs written by some of Carrie’s favorite Mexican composers, as well as her own Ranchera-inspired original songs written in English, Spanish and “Spanglish.” Produced by Lee Townsend, the album is supported by an all-star band, The Sacred Hearts, assembled especially for this project. The band features internationally acclaimed composer/guitarist Bill Frisell, Viktor Krauss on bass, Luke Jacobs on pedal steel and guitars, David Pulkingham on nylon string guitar and electric guitar and Brannen Temple on drums and percussion. The crowdfunded project is set to be released on Feb. 19, 2016 by Carrie’s own label, Luz Records. Engineered by Jacob Sciba and Adam Muñoz and mastered with Greg Calbi.

 
Bill Frisell - When You Wish Upon a Star With When You Wish Upon a Star, the Grammy award winning ever-versatile guitarist Bill Frisell draws upon the classic film and television music we have heard on screen and how it shapes and informs our emotional relationships to what we see. Frisell, whose own music has been featured in major motion pictures like Finding Forrester and The Million Dollar Hotel is joined by Violist Eyvind Kang, bassist Thomas Morgan, drummer Kenny Wollesen, and singer Petra Haden, joining Frisell in re-imagining time-honored gems like “When You Wish Upon a Star,” “To Kill a Mockingird”, “The Shadow of Your Smile”, “Moon River”, “You Only Live Twice", Themes from “The Godfather”, “Psycho”, “Once Upon a Time in the West”, Frisell's own theme for Gary Larson’s television special, “Tales from the Far Side” and others. Produced by Lee Townsend; engineered by Tucker Martine and Adam Muñoz; and mastered with Greg Calbi.

 
 

Bill Frisell    Guitar in the Space Age! Always on the lookout for opportunities to "dig around for where I'm coming from," Bill Frisell’s next project, GUITAR IN THE SPACE AGE! is an homage to the inspirational popular music of his formative years made in the wake of “the birth of the Fender Telecaster guitar” - (1951, the same year as Frisell’s own birth) - that, he recalls, "got me super fired-up" about his instrument of choice. Frisell and his band mates Greg Leisz (guitar, pedal steel), Tony Scherr (bass) and Kenny Wollesen (drums, percussion) explore material, recently recorded for release on Okeh/Sony Masterworks this coming October, associated with The Beach Boys, Junior Wells, Pete Seeger, The Byrds, Duane Eddy, The Ventures, The Kinks, Chet Atkins, Link Wray, Speedy West & Jimmy Bryant, The Astronauts and Merle Travis, as well as original material by Frisell. As on all of his projects, the proceedings will be, Bill understates, "rich with possibility”. Produced by Lee Townsend, with the stellar team of recording engineer Tucker Martine, mixing engineer Adam Muñoz and mastering engineer Greg Calbi.




Bill Frisell    Big Sur  Lee recently finished producing Bill Frisell's new album, "Big Sur" featuring music that was commissioned by the Monterey Jazz Festival and premiered there in September, 2012.  Bill composed all the music during a residency at Glen Deven Ranch in Big Sur, California.  The album features Jenny Scheinman (violin), Eyvind Kang (viola), Hank Roberts (cello) and Rudy Royston (drums).  It is the debut recording on Bill’s new record label home, Okeh Records, a division of Sony Masterworks.  “Big Sur” was recorded and mixed at Fantasy Studios with engineer, Adam Muñoz.


 
Carrie Rodriguez   Give Me All You Got   As most Carrie Rodriguez fans have come to expect by now, her new album "Give Me All You Got" features her commanding vocals and potent fiddle playing. But it is her burgeoning composing abilities that help make the new album an especially beguiling and memorable listening experience. Whether writing on her own or in collaboration with close musical colleagues like Chip Taylor and guitarist Luke Jacobs, Carrie¹s formidable songwriting gifts are a revelation and the collective power of her songs and those she selected by other songwriters is both illuminating and astonishing. The band is stellar ­ Luke Jacobs (guitars, vocals), Hans Holzen (guitars), Erik Deutsch (keyboards), Kyle Kegerreis (bass) and Don Heffington (drums and percussion). Produced by Lee Townsend, engineered by Adam Muñoz at Fantasy Studios in Berkeley and mastered by Greg Calbi at Sterling Sound in New York.
 
State-Of-The-Art Guitar Music From Two Rising Young European Originals

Quentin Dujardin   Distances   The phenomenal Belgian guitarist who Lee first worked with on the Kalaban Coura project has a brand new album of his own.  Distances is a collection of Quentin’s luminous original compositions featuring his soulful acoustic guitar playing (and a bit of electric, too).  The arrangements range from the sparse to the densely layered, featuring special guest appearances by Quentin’s musical colleagues from Morocco, Mali, Europe and Palestine.  Engineered by Adam Muñoz at Fantasy Studios.
  
 
David Soler¹s Denga  Botanicas - The debut album from the Barcelona-based guitarist and expert musical colorist David Soler with his band Denga, a brilliant group of New York and Iberian musicians ­ Erik Deutsch (keyboards), Ben Rubin (bass), Borja Barrueta (drums and percussion) and Marc Pino (marimba and vibes). The material includes indelible  original compositions by Soler, highly textured pieces shaped and constructed from group improvisations, and radiant reductions and reinterpretations of orchestral works by Stravinsky, Bartok and Messiaen for his band, Denga.  Engineered by Adam Muñoz in Spain and at Fantasy Studios.
 
New Music From the Real Vocal String Quartet

The San Francisco-based Real Vocal String Quartet features string player/vocalists Irene Sazer (violin), Alisa Rose (violin), Dina Maccabee (viola) and Jessica Ivry (cello) - a string quartet captured at the height of their collective expressive powers on their vibrant new album.  Four Little Sisters features original compositions by the band members along with the group’s own fresh arrangements of songs by Regina Spektor, Gilberto Gil, Duke Pearson and David Byrne as well as traditional material with a distinctly Cajun flavor.  Engineered by Adam Muñoz at Fantasy Studios.
 

Floratone II

Improvisation is sometimes described as spontaneous composition. But in the case of Floratone, the collaborative project of guitarist Bill Frisell, drummer Matt Chamberlain, and producers Lee Townsend and Tucker Martine, improvisation is the source of raw material for an extended process of assemblage, arrangement, and augmentation: Call it composition over the long haul.  With special guests Ron Miles on cornet, Eyvind Kang on viola, Mike Elizondo on bass and Jon Brion on keyboards.

“On Floratone II, with no names on the front cover, Floratone is even more clearly a group, its unique approach sculpting music distinctly cinematic in nature... Without any overt references, the music sounds like the soundtrack to an imaginary film... As Floratone continues to drive Teo Macero’s innovative collage work with trumpeter Miles Davis' late 1960s/early 1970s electric music into the 21st century and beyond, the expansive, cinematic Floratone II gives hope that Frisell, Chamberlain, Townsend and Martine will continue to collaborate well into the future.” - John Kelman, All About Jazz


Bill Frisell, Matt Chamberlain, Lee Townsend and Tucker Martine – Floratone II
(2012)
"Floratone is Mr. Frisell’s studio alliance with the drummer Matt Chamberlain and the producers Lee Townsend and Tucker Martine. The project, which hinges on a deft editorial restructuring of free-form guitar-and-drums interplay, released its self-titled debut on Blue Note in 2007. Everyone on board seems to have adjusted to the premise since then. “Floratone II” is a surer and more engaging album. Most of its tracks still feel like snapshots, but they’re vivid, color-saturated, with flashes of intrigue."

"As on the first Floratone album, some parts have been outsourced to the trumpeter Ron Miles and the violist Eyvind Kang. Also joining that effort this time are the bassist Mike Elizondo and the multi-instrumentalist Jon Brion, who happen to be record producers with a gift for artfully rendered pop."

"It’s impossible to know who called the shots at various points on this album, but the 10-minute stretch that drifts from “Move” to “Do You Have It?” to “The Time, The Place” represents the best outcome for all involved — not only because Mr. Frisell sounds so resourceful and enlivened, but also because all the layers of surrounding detail make such intuitive sense. Mr. Frisell and Mr. Chamberlain may be the heart and soul of Floratone, but Mr. Townsend and Mr. Martine clearly make up a good chunk of its brain." - Nate Chinen, The New York Times

 

"Ever since Bill Frisell broke away from his longtime label Nonesuch and signed up with Savoy Jazz a couple of years ago, we have been subjected to wave after wave of Frisell releases...."

"Wait, did I say “subjected” us to a deluge of fresh recordings? Oh no, over here we welcome every new Frisell offering, especially since Bill never stays in one place from record to record. He will, however, revisit ground he’s covered before after some time, and, well, it’s been nearly five years since Bill Frisell has made a record with his Floratone cohorts, so guess what?  Yep, that’s right. Next week, the second collaboration among Frisell, Matt Chamberlain, Lee Townsend and Tucker Martine hits the street. The first meeting was called Floratone, and the new one is christened Floratone II. The story and basic concept behind this group goes like this: Frisell and drummer/percussionist Matt Chamberlain get together and come up with musical concepts, patterns and basic progressions. Townsend and Martine come in and take these globs and turn them into identifiable shapes. They do so by adding textures, mixing, editing and adding additional accompaniment, such as Kang’s viola and Ron MIles’ cornet, as in the first record. Mike Elizondo provides the bass this time and Jon Brion is on keys."

"Floratone to Bill Frisell is a lot like what The Fireman is to Paul McCartney : a way to break outside of usual comfort areas by having someone else shape the sound and bringing in a musical partner to bounce ideas off of. As Frisell seems to increasingly favor mid-20th century Americana motifs of late (and you can still find them on Floratone II, see “Stand By This”), this project puts his music sonically back in the present even as the music is instantly recognizable as a Bill Frisell type record."

"“The Bloom Is On” immediately makes clear the touch of Townsend and Martine, as Frisell’s guitar is looped and dubbed over to give the song a dreamy, slightly psychedelic character. Miles’ horn is layered eloquently for “More Pluck” and combines with Kang’s viola and electronic atmospherics to blend right in with Frisell’s stinging tones. Mildly suggesting the Spanish flavors he explored on Lágrimas Mexicanas with Vinicius Cantuaria last year, “The Time, The Place” is a sweet, gentle piece that doesn’t even feature Frisell much at all, but rather, Miles and Kang swapping lines instead."

"It might be easy to tune in on Frisell only and his idiosyncratic guitar mannerisms, but you would be ignoring Chamberlain at your own risk. Like Frisell, he’s a master of tone, space and placement, and those abilities show up gloriously on tunes like the swampy groove of “Snake, Rattle,” the second line wiggle of “Do You Have It?” and especially the rapid hand percussion that drives “Move.” He and Frisell create a cool, maddenly asymmetrical fractured rock rhythm that makes “No Turn Back” such fun."

"As with the first Floratone, Frisell cedes some creative control with guys he trusts, and once again, the trust pays off in a Bill Frisell record that he couldn’t have quite have done on his own. Not better nor worse than a proper Frisell record, the appeal of Floratone II lies in the four different visions, of talented performers and producers alike, coming together as a single piece of work."  - S.Victor Aaron, Somethin’ Else.

 

Kalaban Coura

The impressive debut album from this band of international musical colleagues from Mali, Morocco and Belgium is a story of two guitars and a violin with soulful vocals from Bamako and the Moroccan desert and a burning rhythm section.  "Kalaban Koura" features Kalil Sidy Haïdara (vocals, guitars), Quentin Dujardin  (vocals, guitars), Jalal El Allouli (vocals & violin), Boris Schmidt (bass),  Arnout Hellofs (drums & percussion) and special guests.   Produced by Lee Townsend.

Frisell Plays Lennon

Consummate guitarist, composer  and musical interpreter Bill Frisell has assembled a trusted ensemble consisting of Jenny Scheinman (violin), Tony Scherr (bass), Greg Leisz (guitars) and Kenny Wollesen (drums) to record his take on the classic songs of John Lennon. Titled “ALL WE ARE SAYING,” the project has long been in the works—one could go as far back as the first time he heard the Beatles at the age of 13.  Fast forward a few decades and Frisell is asked to put together an impromptu set in honor of John Lennon as part of a special event in Paris.  The preparation, performances and reception to these compositions was an inspiration nurtured to fruition with this project.  Recorded at Fantasy Studios in Berkeley and produced by Lee Townsend.
 
Described by the Wall Street Journal as “the most innovative and influential jazz guitarist of the past 25 years” Frisell’s artistry has earned across the board praise for his instinctual musicianship—working both within and beyond the parameters of jazz music as he effortlessly incorporates elements of Americana, world, blues, classical, creating a rich and unique aural tapestry.
 
Says Frisell: “John Lennon's music has been with me, the band, everybody, the world...seems like forever. The songs are part of us. In our blood. There was nothing we really needed to do to prepare for this. We've been preparing our whole lives. The songs are there. All we had to do was play them. Everyone involved with this has their own personal, deep, long, relationship to John Lennon's music. It connects us all and brings us together. I feel blessed having the chance to play this music with these people”.
 
“All We Are Saying” song list:
 
Across the Universe
Revolution
Nowhere Man
Imagine
Please Please Me
You've Got to Hide Your Love Away
Hold On
In My Life
Come Together
Julia
Woman
# 9 Dream
Love
Beautiful Boy
Mother
Give Peace a Chance


Songtone and Carrie Rodriguez

After many years of collaborating on various projects including Carrie Rodriguez’s two most recent albums - “Love and Circumstance” and “We Still Love Our Country” - Songtone and Carrie have decided to enter into a management relationship.  We are thrilled to be working with her on a more extensive basis.  And we are in the midst of planning her next recording.  So stay tuned for more details on that.

Carrie Rodriguez

Carrie Rodriguez' new album, "Love and Circumstance", produced by Lee, has been released on Opus Music. It features interpretations of favorite songs by such illustrious songwriters as Lucinda Williams, Buddy and Julie Miller, Gillian Welch, M Ward, Richard Thompson, Townes Van Zandt, Merle Haggard, Little Village, Hank Williams, Sandrine, Carrie's aunt Eva Garza and her father, David Rodriguez. The album showcases Carrie's band - Hans Holzen (guitars), Kyle Kegerrels (bass) and Eric Platz (drums, percussion) - along with guests Greg Leisz, Aoife O'Donovan, Buddy Miller, Bill Frisell and Doug Wamble. It was engineered by Jason Lehning at Opus Studio and Fantasy Studios in Berkeley, Ca.

    "...simply an understated triumph. Grade: A "  - Glide Magazine (Jun 07, 2010)

    “Carrie Rodriguez proves herself an astute interpreter of other people's material via her latest - and best album to date.”    - Lee Zimmerman/BLURT (April 21, 2010)

        “...a case of the right album at the right time.”        - Village Records (04/02/10)

    “...her latest absolutely floored me. It’s a dozen covers so skillfully done that some of the original artists might be tempted to enter the witness protection program.  If this isn’t her breakthrough album there’s no justice!”    - Phoenix Brown & Lars Vigo/Off-Center Views (May 1, 2010)

    “This is an album that you do not want to miss.”
            - NoDepression.net (02/04/10)

    “Cover albums by artists known for writing their own material can be double-edged swords. It's a tricky balance to put your own stamp on material that others have created without losing the original's unique qualities. Singer/songwriter Rodriguez gets it right, though...  Lee Townsend's classy production and veteran players such as pedal/lap steel master Greg Leisz , along with Bill Frisell, keep the sound fresh and vibrant....  Love and Circumstance is beautifully conceived and passionately performed.” - by Hal Horowitz,  All Music Guide

    “Albums of cover songs are curious things. An artist can often reveal more in the choice and interpretation of someone else's song than in an original composition -- a fact that comes to light in brilliant effect with Love and Circumstance, the new album from Carrie Rodriguez. Highly recommended.” - Direct Current

    “I’ve really pretty much had it with covers records —  but even I have to admit that not all of them are created equal, and very, very few of them boast pedigrees as stellar as Carrie Rodriguez’s Love and Circumstance... The result is a collection that does a wonderful job of paying tribute to some of roots rock’s leading lights. The band is marvelous, as you’d expect, and Rodriguez’s vocals have the sweetness and fine texture of dark honey. In fact, she damn near makes these songs her own... the ever-so-slightly burred edges of her voice hint at a spiritual depth beyond her 32 years, and musically, Love and Circumstance has more to offer than your typical covers project.  - Jeff Giles, CD Review

    Carrie Rodriguez doesn’t just cover the love songs in her fourth album, she inhabits them.  Rodriguez’s voice is arresting whether she’s slowing down Lucinda Williams’s “Steal Your Love,” giving a fresh interpretation to Richard Thompson’s “Waltzing’s for Dreamers,” or belting it out on “Big Love” (Little Village). This is masterful musicianship, with primacy given to the guitars, which blend beautifully yet inhabit different spaces within the songs, so that the character of each—tremolo, acoustic, electric, tenor—shines. There are lovely touches on every cut ...  A stunner. (Ninth Street Opus)  -  Celine Keating, Acoustic Guitar


Carrie Rodriguez and Ben Kyle – We Still Love Our Country

Austin singer Carrie Rodriguez collaborates with Ben Kyle, the lead singer from the Minneapolis band, Romantica, on versions of their favorite country songs, including “If I Needed You”, “You’re Still On My Mind”, “Unwed Fathers”, “My Baby’s Gone” and “Love Hurts”.  With Hans Holzen (guitars), Luke Jacobs (pedal steel), Kyle Kegerreis (bass) and Ricky Fataar (drums, percussion).  Engineered by David Luke and Produced by Carrie and Ben with Lee Townsend.


Trailer – The Great Flood



 

Bill Frisell's Live Monthly Download Series
Live shows available to the public!  Back in November of 2008, Songtone introduced the Bill Frisell Live Download Series.  This is a bi-monthly release of select live performance recordings from the soundboard. The shows are exclusively available here and will be made available in the lossless FLAC format along with MP3 and AAC files.  Each performance download includes image files for the CD label, cover art and tray insert which also print onto the Neato Label format.  Some performances may include extra images or video clips depending on the live performance itself.  Due to Frisell’s diverse groups this is a unique way to access his music which might otherwise never see a CD release.  Click HERE for samples.  Enjoy!

One of the biggest problems facing contemporary jazz musicians is that they often have far more projects on the go than could ever be recorded and released commercially by conventional record labels—even small and relatively responsive indie labels. Special projects abound, or personnel changes for a tour are forced when members of a regular group are unavailable, the plight of the 21st century working musician being how to remain viable and available. Of course, it's not necessarily a problem, because regardless of the reason, it means that today's leader ends up touring in more combinations than could ever be documented through normal channels—and some of these special, one-time/one-tour projects yield tremendous gold—even leading to further collaboration. If only there was a way the pathological fan could hear all of it.

Fans of sonic guitar sculptor Bill Frisell can rejoice, as the Live Download Series is making available a growing catalog of high quality soundboard recordings of performances by groups that have been documented on commercial albums, like the guitarist's first quartet, with cellist Hank Roberts , bassist Kermit Driscoll and drummer Joey Baron; the sextet responsible for one of Frisell's compositional high water marks, This Land (Elektra/Nonesuch, 1994); and his early 21st century trio, with bassist Tony Scherr and drummer Kenny Wollesen. But as thrilling as it is to hear a 1989 performance by Frisell and his quartet, performing music from Rambler (ECM, 1984), Lookout for Hope (ECM, 1988) and Before We Were Born (Elektra/Nonesuch, 1989), it's even more exciting to find the hidden gems—previously unrecorded groups like Frisell's trio with organist Sam Yahel and drummer Brian Blade ; or very limited-run tours like a 2005 performance from London, England's The Barbican, where Frisell, violinist Jenny Scheinman and guitarist Greg Liesz delivered a stunning tribute to The Beatles' John Lennon.

To read this complete review from All About Jazz click here.

Click here for song samples and more info.

 


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